Saturday, March 2, 2013

Gillmor Gang: Pinch and Spread

gillmor-gang-test-pattern_excerptThe Gillmor Gang ? Robert Scoble, Keith Teare, John Taschek, Kevin Marks, and Steve Gillmor ? spent a beautiful Bay Area day chatting amiably about Android, Apple, and the GUI formerly known as the Lock Screen. With notifications becoming the default interaction point with email, social, and app inputs, the Gang is split down the middle. On one side is @scobleizer and @jtaschek and partially @kevinmarks; on the other more correct side is @kteare and me, @stevegillmor. We think Apple has the more elegant if slightly hamstrung solution, while the rest are Android fanboys waiting desperately for the latest Samsung phone. And of course, @scobleizer sees everything through his forthcoming Glassware, or as he joked, being a Glasshole about it. Oh, the humanity.

Source: http://feedproxy.google.com/~r/Techcrunch/~3/IwFCtw__qDY/

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Toby Keith's bassist killed in Oklahoma car crash

SLAUGHTERVILLE, Okla. (AP) ? Authorities say the bassist for country music star Toby Keith has been killed in a two-car crash in Oklahoma.

The Cleveland County Sheriff's Office says 54-year-old Carl "Chuck" Goff Jr. was killed in the crash Wednesday night in rural Cleveland County, about 35 miles south of Oklahoma City.

Keith said in a statement that he's "deeply saddened" by Goff's death. Keith says Goff was a close friend for more than 25 years, serving as band leader and bass player.

Goff shared writing credits on "Upstairs Downtown" and "You Ain't Much Fun" on Keith's 1994 album "Boomtown."

The two-vehicle crash remains under investigation. Authorities say the driver of the second vehicle wasn't seriously injured.

Source: http://news.yahoo.com/toby-keiths-bassist-killed-oklahoma-car-crash-132811436.html

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Homeland Security released over 2,000 immigrants

WASHINGTON (AP) ? The Homeland Security Department released from its jails more than 2,000 illegal immigrants facing deportation in recent weeks due to looming budget cuts and planned to release 3,000 more during March, The Associated Press has learned.

The newly disclosed figures, cited in internal budget documents reviewed by the AP, are significantly higher than the "few hundred" illegal immigrants the Obama administration acknowledged this week had been released under the budget-savings process.

The government documents show that Immigrations and Customs Enforcement released roughly 1,000 illegal immigrants from its jails around the U.S. each week since at least Feb. 15. The agency's field offices have reported more than 2,000 immigrants released before intense criticism this week led to a temporary shutdown of the plan, according to the documents.

The states where immigrants were released include Arizona, California, Georgia and Texas.

The White House has said it was not consulted about the releases, and Homeland Security Secretary Janet Napolitano has acknowledged they occurred in a manner she regrets. White House spokesman Jay Carney on Wednesday said the government had released "a few hundred" of the roughly 30,000 illegal immigrants held in federal detention pending deportation proceedings. Carney said the immigrants released were "low-risk, noncriminal detainees," and the decision was made by career ICE officials.

As of last week, the agency held an average daily population of 30,733 in its jails. The internal budget documents reviewed by the AP show the Obama administration had intended to reduce those figures to 25,748 by March 31.

The White House did not comment immediately Friday on the higher number of immigrants released.

ICE spokesman Brian Hale said Friday the numbers of immigration detainees fluctuate daily, but he reiterated only several hundred illegal immigrants had been released. "Beyond that normal movement, and as fiscal uncertainty remains over the continuing resolution and possible sequestration, ICE reviewed its detained population to ensure detention levels stay within ICE's current budget and placed several hundred individuals on methods of supervision less costly than detention," Hale said in a statement. "At this point, we don't anticipate additional releases, but that could change."

The immigrants who were released still eventually face deportation and are required to appear for upcoming court hearings. But they are no longer confined in immigration jails, where advocacy experts say they cost about $164 per day per person. Immigrants who are granted supervised release ? with conditions that can include mandatory check-ins, home visits and GPS devices ? cost the government from 30 cents to $14 a day, according to the National Immigration Forum, a group that advocates on behalf of immigrants.

The release of thousands from immigration jails is consistent with Napolitano's early warnings on Monday ? hours before anyone knew publicly that any illegal immigrants had been released ? that the pending, automatic budget cuts known as the sequester would limit the government's ability to maintain enough detention center beds for at least 34,000 immigrants.

"We're doing our very best to minimize the impacts of sequester, but there's only so much I can do," Napolitano said Monday. "You know, I'm supposed to have 34,000 detention beds for immigration. How do I pay for those?"

Late Thursday, after intense criticism over what the administration acknowledged was the release this week of several hundred immigrants, Napolitano told ABC News that she had been surprised to learn about the action.

"Detainee populations and how that is managed back and forth is really handled by career officials in the field," Napolitano told ABC. "Do I wish that this all hadn't been done all of a sudden and so that people weren't surprised by it? Of course."

The announcement that a few hundred illegal immigrants were being released was among the most significant and direct implications described so far by the automatic budget cuts. Republicans in Congress quickly criticized the decision and pressed the Homeland Security Department for details, including the number of illegal immigrants released and the nature of any criminal charges they were facing as part of the deportation process.

"Simply blaming budget reductions as a means to turn a blind eye toward the national security of the American people is a dangerous plan, and one that calls into question the department's preparations for sequestration," wrote two Republican lawmakers, Sen. Charles Grassley of Iowa and Rep. Bob Goodlatte of Virginia, chairman of the House Judiciary Committee.

Jeff Sessions, R-Ala., who sits on the Senate panel that oversees the Department of Homeland Security, harshly criticized the administration for downplaying the number of immigrants released, adding the revelation "makes it less and less possible for lawmakers to have productive negotiations with the White House over a comprehensive immigration bill."

The senior Homeland Security Department official in charge of arresting and deporting illegal immigrants announced his retirement to his staff on Tuesday, the same day the administration first openly confirmed the release of what it called several hundred immigrants. The executive associate director over ICE enforcement and removal operations, Gary Mead, told his staff he was leaving his job with mixed emotions. A career law enforcement officer, Mead will leave at the end of April.

After AP reported on Mead's retirement, ICE spokeswoman Gillian Christensen said his decision was not related to criticism over the jail releases and said Mead had notified the agency's senior leaders "several weeks ago" that he intended to leave. She also called AP's reporting about Mead's departure "inaccurate and misleading." On Thursday, ICE corrected her statement to say that Mead has notified his bosses "more than a week ago," not several weeks ago.

The later government statement also criticized AP's reporting as "ill-informed, inaccurate information" and complained that AP had failed to contact the agency before publishing what it called a "misguided headline," although the AP had noted its unsuccessful efforts to contact Mead directly by telephone and email.

___

Follow Alicia A. Caldwell on Twitter at www.twitter.com/acaldwellap

Source: http://news.yahoo.com/ap-exclusive-dhs-released-over-2-000-immigrants-211615464--politics.html

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Friday, March 1, 2013

Violence Against Women Act may help GOP's image (CNN)

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Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/288392551?client_source=feed&format=rss

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5 reasons Google should be afraid of Samsung

Google takes pride in the fact that its Android mobile operating system has outpaced Apple's. But the truth is, Android phones don't outsell Apple phones, Samsung phones do. Apple, Amazon, Facebook, Microsoft ? these may be Google's main competitors, but it's Samsung that could be the search giant's biggest threat.

As Samsung launches the Galaxy Note 8.0 this week, and the upcoming Galaxy S 4, not to mention a fleet of new Smart TVs, here are five reasons Google should be afraid:

1. Phones, phablets, tablets and more
Samsung has been the largest phone maker in the world for a while, but for the better part of last year, it was even out-selling Apple in the profitable smartphone category. On the surface, this is good news for Google, since Samsung is the largest ambassador of Android phones.

But compare the interface on a Google-branded Nexus phone to the software on Samsung's best-selling Galaxy S phones. The fundamental operating systems are the same, but everything from the stock apps (calendars, email, media player, etc.) to the interactive services (voice command, wireless file sharing, etc.) are different. Critics (including me) generally prefer Google's "pure" Android experience offered by Nexus devices (which also get faster OS updates), but the masses don't seem to mind Samsung's interface. And with time, money and momentum on its side, Samsung can keep improving.

The bigger the device gets, the more problematic things are for Google. Android phone apps may be a roaring success, but Android tablets have barely any native apps, especially compared to what's built for iPad. As evidenced in the expanding Note line ? which just welcomed an 8-inch model ? you can expect to see more Samsung-only features and interface tweaks, and increasing cooperation between Samsung and its software partners.

2. Retail stores
In an age when big-box stores struggle, Apple can still brag of its unbelievable (and mostly unforeseen) brick-and-mortar store success. Former skeptics now believe that the best way for electronics makers to reach their customers is through direct shopping-mall and online sales. Google is building up the online side, but recently rejected the idea of a retail store. Meanwhile, Samsung has quietly built out an online sales site, and is starting to show the urge to build some Apple Store clones of its own. In the meantime, it has clout with Best Buy, other mall retailers and even cellular carriers that Google could only dream of.

3. Mobile payments
Google got the jump on the competition when it comes to using your phone as a credit card. Built-in near-field communication chips in its Nexus phones combined with the Google Wallet system lets you, in Google's words, "shop faster, smarter and safer, in-store and online." Apple has been slower to get into mobile payments ? its Passbook app is a useful tool for those already checking into flights and buying event tickets online, but it's not yet a vehicle for commerce in itself. Now Samsung is making its own move with its own app ? called Wallet.

While the system, as it stands, currently resembles Apple's Passbook more than Google's similarly named service, don't forget that Samsung has NFC built into most of its premium phones. Not only that, as the Verge points out, it has a partnership with Visa to use the credit card company's PayWave service.

4. Media store
About two years ago, I laughed when Samsung tried to get me to buy a movie via its service on a cellphone. The selection wasn't great, and what was I going to do, watch some outdated action film on a phone's 4-inch screen? The laughter has, substantially, subsided. Those screens have gotten bigger, and Samsung has sold a lot of phones with its media store pre-installed.

Meanwhile, Samsung has expanded its media sales to its Smart TV line, and the current Smart TV interface dedicates a whole page to Samsung media. In other words, while you can still buy movies for apps like Amazon Instant Video and Vudu, you'll soon most likely stumble over stuff first on Samsung's page. How soon till you're giving it your $3.99 for a movie rental, rather than your cable provider or the competition?

5. Apple TV
Google's already spent its ammunition on something called Google TV, which you likely never bothered to purchase. Apple TV exists now too, as a cheap little add-on for Mac, iPad and iPhone owners, but Apple may yet pop a full-size TV that's so user friendly, fanboys would drool like they haven't drooled since Steve Jobs was alive.

Only thing is, Samsung already has an answer to Apple TV, and from what we saw at the Consumer Electronics Show in January, Samsung isn't going to rest until it gets the interface right. Does it need Google's help to do it? Nope.

(Bonus dirt in Google's face: LG recently went out of its way to buy a third-party operating system, probably so it wouldn't have to rely on Android for its next-gen smart TVs.)

Maybe none of this matters to Google as long as it can keep making money on mobile ads on Samsung devices ? but according to a recent report in the Wall Street Journal, even this relatively safe haven could be threatened by Samsung's explosive growth.

Further reading:
Samsung sparks anxiety at Google - The Wall Street Journal

Eyeing Apple: How competitors are finally making phones consumers want - The New Yorker

Samsung takes a page from Apple's Passbook with new Wallet app - The Verge

'Next generation' Samsung smartphones to ship with Visa NFC payment system - The Verge

Android boss Andy Rubin says Google doesn't need a retail store - Business Insider

Samsung's new retail store clearly inspired by Apple - Digital Trends

Wilson Rothman is the Technology & Science editor at NBC News Digital. Catch up with him on Twitter at @wjrothman, and join our conversation on Facebook.

Source: http://www.nbcnews.com/technology/technolog/5-reasons-google-should-be-very-afraid-samsung-1C8593123

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Father of Newtown victim: Ban assault weapons

WASHINGTON (AP) ? Battling tears, the father of one of the first-graders slain at the December elementary school massacre in Connecticut pleaded with senators on Wednesday to ban assault weapons like the gun that killed his 6-year-old son.

"I'm not here for sympathy," Neil Heslin, a 50-year-old construction worker who said he grew up with guns and had been teaching his son, Jesse, about them. "I'm here because of my son."

Heslin spoke for 11 minutes, his voice barely audible and breaking at times, to the Senate Judiciary Committee that is deeply divided over the issue of curbing guns.

The panel was holding a hearing on a bill by Sen. Dianne Feinstein, D-Calif., to ban assault weapons and ammunition magazines that can carry more than 10 rounds. Feinstein and her allies said her measure would reduce the deaths such high-powered firearms can cause, but Republicans on the panel said the move would violate the constitutional right to bear arms and take guns away from law-abiding citizens who use them for self-defense.

Heslin said he supports sportsmen and the Second Amendment right for citizens to have firearms. But he said that amendment was written centuries before weapons as deadly as assault weapons were invented.

"No person should have to go through what myself" and other victims' families have had to endure, Heslin told the lawmakers.

He recalled the morning of Dec. 14, when 20-year-old Adam Lanza used a Bushmaster assault weapon to kill 20 first-graders and six staffers at the Sandy Hook Elementary school in Newtown, Conn.

"He said it's all going to be OK," Heslin said his son told him when he dropped him off at school. He added, "And it wasn't OK."

Despite Newtown and other mass shootings, the bruising, difficult path through Congress that gun control legislation faces was underscored Wednesday when the chairman of the House Judiciary Committee said he opposes universal background checks for gun purchases, a central piece of President Barack Obama's plan for curbing gun violence. Rep. Bob Goodlatte, R-Va., told reporters that the proposal could lead to creation of a federal gun registry ? which the Obama administration has said will not happen.

Wednesday's Senate Judiciary hearing was its third since the Newtown tragedy made gun violence a top-tier national issue. The Judiciary panel could begin writing legislation as early as Thursday, but that session is likely to be delayed until next week.

Numerous relatives and neighbors of victims of Newtown, as well as other shootings at Aurora, Colo., and Virginia Tech filled the large hearing room.

At one point, Feinstein played a video showing how a bump fire slide, a piece of equipment added to an assault weapon, allows it to rapidly fire many rounds of ammunition, much as a machine gun would.

"The need for a federal ban has never been greater," Feinstein said.

The panel's top Republican, Sen. Charles Grassley of Iowa, expressed sympathy for gun violence victim, but said existing gun laws are not being adequately enforced, including background checks designed to prevent criminals from getting weapons.

"We should be skeptical about giving the Justice Department more laws to enforce" when it's not enforcing current ones, Grassley said.

Grassley said he believed Congress will eventually take action on boosting penalties for illegally trafficking guns, on more adequately keeping guns from people with mental problems, and encouraging states do a better job of reporting mental health records of potential gun buyers to the federal background check system.

At one point, Sen. Lindsey Graham, R-S.C., used his questioning of Milwaukee Police Chief Edward Flynn to argue that the current background check system is not being well enforced, since only a handful of the roughly 80,000 people annually who fail those checks are prosecuted for filing documents saying they qualify to own the weapons.

Uncharacteristically for a Senate hearing, Flynn interrupted the senator, saying, "I want to stop 76,000 people from buying guns illegally," a reference to the gun purchases that the background check system blocked last year. "That's what background check does."

His remark drew applause from spectators in the room.

Across the Capitol, the House Education and Workforce Committee planned to hear from school safety experts and counselors about how to keep students safe.

"How can we be confident that something like this does not happen again?" asked John Kline, R-Minn., the Republican panel's chairman as the meeting began.

His Democratic counterpart, Rep. George Miller of California, said school safety is linked to firearms.

"Sandy Hook is an event that calls us on us as policymakers to do something. ... A school must be a place where children feel secure," Miller said. "Turning schools into armed fortresses is not the answer."

Instead, he said schools need to add counseling services and mental health programs.

In their prepared testimony, witnesses there were careful not to endorse the NRA's suggestion that armed volunteers in schools were a realistic answer to prevent future attacks.

"I cannot emphasize enough how critical it is for officers to be properly selected and properly trained to function in the school environment," said Mo Canady, executive director of the National Association of School Resource Officers.

Despite the raw emotion, Feinstein's effort to ban assault weapons is expected to fall short due to opposition by the National Rifle Association and many Republicans, plus wariness by moderate Democrats.

Feinstein's bill has attracted 21 co-sponsors, all Democrats. Including herself, it is sponsored by eight of the 10 Judiciary panel Democrats ? precarious for a committee where Democrats outnumber Republicans 10-8. Democrats on the panel who haven't co-sponsored the measure include the chairman, Pat Leahy of Vermont, who said Monday he hadn't seen the bill.

Obama made bans on assault weapons and large capacity magazines key parts of the gun curbs he proposed in January in response to the Connecticut school massacre.

The cornerstone of his package is a call for universal background checks for gun buyers, some version of which seems to have a stronger chance of moving through Congress. Currently, only sales by federally licensed gun dealers require such checks, which are designed to prevent criminals and others from obtaining firearms.

Feinstein's bill would ban future sales of assault weapons and magazines carrying more than 10 rounds of ammunition but exempt those that already exist. It would bar sales, manufacturing and imports of semiautomatic rifles and pistols that can use detachable magazines and have threaded barrels or other military features. The measure specifically bans 157 firearms but excludes 2,258 others in an effort to avoid barring hunting and sporting weapons.

Feinstein, who helped create a 1994 assault weapons ban that expired in 2004, and other supporters cite studies showing use of the firearms in crimes diminished while the prohibition lasted. A 2004 report said the proportion of gun crimes involving assault weapons dropped by up to 72 percent in five cities studied.

Opponents cite data from that same study showing assault weapons were used in only 2 percent to 8 percent of gun crimes, arguing that a ban would have little impact. The study also estimated there were 1.5 million assault weapons owned privately in the U.S. in 1994, and an estimated 30 million high-capacity magazines as of 1999, which critics say means exempting them would diminish a ban's effect

Source: http://news.yahoo.com/father-newtown-victim-ban-assault-weapons-173107206--politics.html

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How Oscar-nominee "War Witch" improvised the gut-wrenching tale of child soldiers

LOS ANGELES (TheWrap.com) - "Amour" was always the clear favorite in the Oscar foreign-language category, and its win on Sunday was one of the least surprising parts of a generally unsurprising ceremony.

But if Michael Haneke's drama hadn't been in the mix, there's a good chance that Kim Nguyen's "War Witch" would have emerged as a serious contender for the prize.

The film is the wrenching story of a teenage girl who becomes a child soldier in an unnamed African country - and then, because she can see the dead, the "witch" of the gang of rebels.

Starring the remarkable Rachel Mwanza, who won the best-actress award at last year's Tribeca Film Festival, it will receive a post-Oscar release from Tribeca Film on Friday in New York and March 8 in Los Angeles.

Born in Montreal to a Vietnamese father and a French-Canadian mother, Nguyen has made four features. He was able to secure a visa for Mwanza and bring her to the Oscars.

How did you hit upon the story?

I was hunting for good stories, and I just found this amazing story about Johnny Htu, who was a Burmese child soldier. Johnny was nine years old, and he woke up one day and said he was the reincarnation of God. He became a kind of half God. He was forbidden to walk on the soil, because they were afraid it would soil his visions, so he was carried around all day. And he would smoke cigars every day.

As a storyteller I thought his story had power and humanity and all the elements that make a good film. And slowly I got pulled into the child-soldier element.

Did you meet with child soldiers while writing the script?

I went to Burundi to meet ex-child soldiers. What I saw in Africa was this complete superimposition of these heavy, intense, war-ridden countries where the love stories are the same as here. You still have boyfriends and girlfriends, and the girlfriends that are jealous because the boyfriend came home late last night. It's very simple. I find that odd and beautiful at the same time, and I wanted to try and convey that.

The story has its supernatural elements - but did you feel pressure to accurately convey a world of child soldiers in which truly horrifying things have happened?

Absolutely. And for me, the way to get it right was not to try to make the characters symbols for any political point of view. In fact, for many drafts we were so worried that we wouldn't give the right message that we weren't telling a good story. In the end, that was the greatest gift that this film has given me: to accept brutal honesty and truth.

In what way?

The best example is the rebels forcing children to kill their own parents. It's not a generalized way of indoctrination, but it's quite frequent. We kept trying to make it so maybe the didn't really kill her parents. Maybe she got slapped and lost consciousness, and the general put his finger on her finger, and we keep thinking that she did kill them but she didn't. And it didn?t work. In the end, we just had to say, "No, this is how it is."

Where did you find your lead actress, Rachel Mwanza?

Well, I was really fearful that we weren't going to find the right actress, because in this case I wouldn't have a movie. One of the reasons we chose to shot in the Congo is because there was great amazing natural talent there. I guess it?s from the heritage of verbal storytelling, you know?

And so we did an open call for actors. We already had the intuition that kids from the street could be pretty amazing, because of their rawness and their fearlessness. And it turned out to be pretty true. In the cases where these people could project their own personal lives onto the screen, it was just amazing. And Rachel was the best of them. She had this nonchalance. I guess when you live in the streets and you sleep on the side of the road, you don't care anymore about what people think. You're just there. And that's an amazing tool for an actor.

Was she living on the streets?

She was living on the streets. But as soon as we cast her we established a reinsertion program. She has a caretaker and she has a place to live, and she's back in school. But at the time she was still living on and off the streets.

Does she want to act more now?

She does. I'll have to be honest, there's a long way before she can work. She doesn't know how to read yet. She's learning, and she's getting better. And she has her Facebook page so we can contact her. But she's still a long way from understanding the subtleties of dialogue. I thinking there's at least five to 10 years of work.

So Uncle Kim, which is what I am, tells her that she should learn another trade. But she hates me for doing that. She's a teenager. We bought Rachel a phone, and she said, "Kim, I can't put music on this." There wasn't an MP3 reader and she couldn't take pictures, so she wanted a better phone.

How could she act in your film if she couldn't read?

Because we work in such a different way. The actors never read the script, and we filmed in continuity. Every day it was like directed improvisations. All of the script and the dialogue was written, but the idea was to direct the improvisation in such a way that the dialogue would appear even though they never read it.

And what's strange is that it did. Maybe 85 percent of what is on the page is there on the screen, and the rest is better.

How did you hit upon that process?

I had seen "Fish Tank," and Andrea Arnold's work method was a huge inspiration. It blew me away in regards to performances. For me, that's my mantra: everything for authentic performances. You don't have a film, for me, if you don't have those performances.

I think Andrea Arnold is really influenced by Cassavetes, and their approach really echoes what I want to do from now on: organize everything so the actors are projecting their own selves on the screen. It makes it really real and raw.

It is hard to get financing when the process is that unconventional?

It was for a while. But Canada has a funding system that is quite organized and specific, and we were fortunate that the script had the strength to convince script analysts that it should be done.

The hardest part was convincing people that there shouldn?t be Caucasian actors in the film. I've seen a lot of films where Africa gets saved, symbolically, by North America. And I wanted to give a voice to the real heroes in the stories.

You've made several other films, but "War Witch" was your first to get an Oscar nomination and receive this kind of attention. What was different this time around?

I do feel that "War Witch" was a breakthrough for me, where I was rediscovering my initial impulses to do film. The first three films, they're my babies and I love all of them. But I did feel that when I did the one before this, "City of Shadows," I had reached a kind of wall where the pressures of funding institutions, producers, co-production deals and all of that put a kind of varnish over the film that. It wasn't raw and I didn't feel that my hand was at the heart of the actors, in a way. I let down the actors because I didn't push them to where they should have gone.

But in a way, I guess you have to do these films and scrape your knees and stand up.

So what did you do differently?

The big thing was not overpreparing, oddly enough. You prepare in a different way. You prepare in the way of understanding the characters, understanding the people, getting drunk with people in Kinsasha and understanding their lives. It's not storyboarded anymore. It's more like, we look at what's happening and where the actors want to go and we bend our method to what they're doing on the set. Very different from the previous films.

Source: http://news.yahoo.com/oscar-nominee-war-witch-improvised-gut-wrenching-tale-224039529.html

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